sweetness and light matthew arnold pdf

Sweetness and light matthew arnold pdf

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Sweetness and light

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Matthew Arnold: “Sweetness and Light”

In his discussion of Liberal politics, Francis Newman and Homeric poetry, and the parochialism of the English middle class, Arnold restaged the battle between urbanity and philology which Swift and the Tory wits fought in response to Richard Bentley. This article juxtaposes and interweaves these debates to show that articulacy twice attempted to lay total claim to knowledge; on each occasion, the effort to protect literature and ambiguity spurred Swift and Arnold to discrete imaginative acts engendered by the same anxiety over minute scholarship. At work was a double irony: Swift and Arnold encouraged a ranging and cursory approach whilst in fact employing the subtlest stylistic manoeuvres to attenuate the rise of a discipline which was in reality concerned with the aesthetic as well as the historical.

Alfred J. Numbers in brackets indicate page numbers so readers can cite the print edition, if necessary. The disparagers of culture make its motive curiosity; sometimes, indeed, they make its motive mere exclusiveness and vanity.

Sweetness and light

Don't have an account? The slogans, in their vagueness and repetition, can make Arnold seem a harbinger of hollow advertising idiom or the soundbites of political discourse and management-speak. It considers his essays of the s, when Arnold established himself as a public critic, to show how their apparently empty style insists, not on logical propositions, but possible relational modes. Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter. Please, subscribe or login to access full text content. To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.

Sweetness and light is an English idiom that can be used in common speech, either as statement of personal happy consciousness, though this may be viewed by natives as being a trifle in earnest or as literal report on another person. Depending upon sense-of-humour, some may use the phrase with mild irony. For example: The two had been fighting for a month, but around others it was all sweetness and light. Wodehouse employed the phrase often, sometimes with a slight nod to the phrase's dual-edge. Originally, however, "sweetness and light" had a special use in literary and cultural criticism meaning "pleasing and instructive", which in classical theory was considered to be the aim and justification of poetry.

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Access options available:. Victorian Poetry In the House of Commons the old organisations must inevitably be most enduring and strongest, the transformation must inevitably be longest in showing itself; and it may truly be averred, therefore, that at the present juncture the centre of movement is not in the House of Commons. It is in the fermenting mind of the nation; and his is for the next twenty years the real influence who can address himself to this. Matthew Arnold , Culture and Anarchy Energizing Arnold's claims that through culture's opposition to and suppression of anarchy lies the way not only to "perfection, but even to safety," "the era of the crowd" seems already to have arrived by the middle of the nineteenth century. While Arnold's sloganeering on behalf of culture produced such phrases as "the best that's been thought and said" and "sweetness and light," culture's antagonist, anarchy, has been a less conspicuous part of Arnold's critical legacy.

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SWEETNESS AND LIGHT. B y. m a t t h e w. a r n «l d. (Reprinted from “ Culture a?id Anarchy ”). AND. AN ESSAY ®N STYLE. B y. WALTER PATER. .

Matthew Arnold: “Sweetness and Light”

November 20, In Jonathan Swift wrote of beauty and intelligence as ''the two noblest of things, sweetness and light. Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light. It has one even yet greater! It is not satisfied till we all come to a perfect man; it knows that the sweetness and light of the few must be imperfect until the raw and unkindled masses of humanity are touched with sweetness and light.

In Culture and Anarchy Matthew Arnold famously debates the value of culture in Victorian England, at a time of rapid social change, and his ideas about education and the state are as relevant today as ever. Culture and Anarchy is a series of essays by Matthew Arnold. According to his view advanced in the book, "Culture is a study of perfection".

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The disparagers of culture make its motive curiosity; sometimes, indeed, they make its motive mere exclusiveness and vanity. The culture which is supposed to plume itself on a smattering of Greek and Latin is a culture which is begotten by nothing so intellectual as curiosity; it is valued either out of sheer vanity and ignorance or else as an engine of social and class distinction, separating its holder, like a badge or title, from other people who have not got it. No serious man would call this culture, or attach any value to it, as culture, at all. To find the real ground for the very different estimate which serious people will set upon culture, we must find some motive for culture in the terms of which may lie a real ambiguity; and such a motive the word curiosity gives us. I have before now pointed out that we English do not, like the foreigners, use this word in a good sense as well as in a bad sense. With us the word is always used in a somewhat disapproving sense. A liberal and intelligent eagerness about the things of the mind may be meant by a foreigner when he speaks of curiosity, but with us the word always conveys a certain notion of frivolous and unedifying activity [].


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